Experimental Printmaking!

 

I've been doing a little bit of experimental printmaking! I've been using four collagraph printing plates and printing them on top of each other to create lots of texture and aging, its been a very interesting process and the most printing plates I've ever used in one go!

I wanted to add a little extra to my two plate collagraph image below of a ruined priory so I made a couple more crackle printing plates to print on top of it.

Here are all of the four printing plates inked up and ready for the experimentation to begin!

I printed them through the etching press one by one, starting with the black image of the ruined priory, trapping the paper each time under the roller so that I could keep the printing plates in the correct position every printing.

There was some very interesting results produced, one completely obscured the main priory print so I didn't think worked as well. It was also suggested to me that I try to print the crackle plates first and then the priory on top of those. It did produce a very interesting effect, see below, before the priory printing plate has been printed on top.

 A very abstract image was produced in the end, maybe slightly too many layers of crackle!

Some interesting textures were obtained depending on the order of the printing plates and I really like these two images produced.

And a lot of mess was made! 

I'm very inspired to do lots more experimental printmaking now too.

Clare x

Printing a Staircase!

 

After visiting Picton Castle last year I was fascinated by the crumbling staircase there and I really wanted to depict it as a collagraph print. I finally got round to making the printing plate the end of last year but I really felt it needed something more so I made another printing plate to go over the top with crackles on it. I felt this really depicted the age and added a bit more interest and depth.

I inked up and printed both of the printing plates at the same time.

Inking up and wiping both printing plates below.

The first printing plate was printed on my etching press of the staircase inked up in blue/black ink.

I kept the paper caught under the roller of the printing press so it wouldn't move and then placed the crackle plate inked with yellow ochre printing ink ready to print.

This was then printed on top of the staircase print. (A little of the staircase ink transfers to the printing plate too!)

The finished collagraph print hot off the printing press!

I'm really enjoying playing with crackle plates at the moment so will be doing lots more experimenting!

Clare x

Art Exhibitions

In these weird times the way we exhibit artwork has changed an awful lot. I have just entered three online exhibitions (keep your fingers crossed!) and thought I'd have a look back at some of my recent exhibitions.

I started off the year really well by managing to get one of my collagraph prints "Tiger Relax" accepted into a very difficult exhibition to get into, the RBSA (Royal Birmingham Society of Artists) Open exhibition. 

This exhibition opened in March and luckily I managed to see it before lockdown happened and the gallery closed. Sadly I didn't get to wear my posh frock as the closing party was cancelled! The exhibition is actually still on at the gallery, as it couldn't be taken down, and I'm hoping the building ghosts are enjoying their exclusive exhibition at the moment!

My favourite exhibition of last year had to be the Wolverhampton Society of Artists Centenary exhibition at Wolverhampton Art Gallery in December. I was very shocked to win first prize in the Selection Panel Choice and got to meet the Mayor of Wolverhampton who presented me with my certificate!

I also exhibited another couple of times at the RBSA last year. Back in March 2019 for the Open All Media exhibtion, where I exhibited an oil painting for the very first time!

And in July 2019 I exhibited my collagraph print "Tiger Feet" in the annual Friends exhibition and even got to do a 5 minute talk about how I make my collagraph printing plates!

I really have had a busy few years of exhibitions and hopefully soon we will be able to exhibit properly in real life again!

Clare xx

Tigers & Mucky Bottoms!

Normally if I'm printing more than one colour I try and add all my colours onto one collagraph printing plate and print it in one go, as its a lot easier! I decided to challenge myself and try out a different method involving two printing plates and a mucky bottom! I thought I would depict my favourite subject, a tiger.

Here are the two printing plates side by side. One is very much like my normal collagraph printing plate with lots of detail and tone, the other is a bit more abstract and will be used for background of the image.

I started by inking up the more abstract plate for the background with a lovely vibrant orange ink. (apologies for the blurriness of this image, trying to take the photo left handed and not succeeding very well!)

The background plate is inked and then wiped so that the rougher areas of the printing plate hold more ink and the smoother areas hold less ink and will therefore print lighter. It is ready to be printed. 

But first I need to get the main printing plate ready to print as I will be printing them almost at the same time. I've had to completely clean up everything first, getting rid of any orange ink, newspaper, gloves etc so I don't contaminate this plate with any orange ink. The printing pate is then covered in blue/black ink and then wiped with newspaper and tissue paper. 

The main printing plate ready to be printed.

Firstly the background printing plate is placed onto the printing press onto a clean scrap piece of paper and a slightly dampened piece of printing paper is put on top, with the blanket on top of this. This is then run under the rollers so that it prints onto the slightly dampened paper. The paper is then peeled back and very carefully trapped under the rollers so that it doesn't move and the printing plate is removed.

This leaves behind an imprint of where the printing plate was on the scrap paper, its mucky bottom! 

I can then place the main printing plate on top of this mucky bottom (making sure I put it the right way up!) aligning exactly where the first printing plate was on the scrap paper and as the slightly dampened paper was trapped in the rollers it should go back over the printing plate in exactly the same place as where the first plate was.

This then goes through the rollers again transferring the black ink on top of the already printed orange image. The big reveal, has it worked or not?

One tiger hot off the printing press!

Then repeat many times! 

"Tiger Sit" Limited Edition Collagraph Print

Here's the finished tiger print, I'm thinking of trying it in a few different colours too!

Clare xx

Printing Tiger Feet!

I have a slight obsession with tigers and whenever I go to Dudley Zoo I spend hours watching the tigers. I was really lucky the last time I was there as the male tiger Joao was having a little sleep and showing his lovely big paws which I just wanted to tickle!

I knew I would have to produce some artwork of him so I decided to do a quick acrylic painting:

Sleeping Tiger Acrylic Painting

He looked so cute I thought he would work brilliantly as a collagraph print too, here's the start of my printing plate being designed.

About to start printing, not many people get to see the printing plates before they have been inked up and got very messy!

Here he is after being inked up. I've inked him A la poupée which is a technique for applying different colours of ink using a ball-shaped wad of fabric to apply the ink which then means I can print the image in just one run through the press. Its a bit fiddly but well worth it.

Hot off the printing press!

A few different variations of the tiger print, still deciding which one I like the best.

I moved house about 5 weeks ago so I am still unpacking everything but my new studio is starting to come together and I'm really enjoying doing a bit of printmaking again!

Hopefully lots more new prints coming soon!
Clare xx

Printing a Hippo in 3 Colours

I love printing hippos!

Hippo Collagraph Prints

I've done quite a few hippo collagraph prints over the years, in lots of colours, and these have proved very popular. I wanted to do a slightly different hippo print with three colours printed from the one printing plate. I decided to do a hippo swimming (or floating!) so I could use lots of different blues for the water. Here's one of the photos I used for reference.

Below is the collagraph printing plate before it is has any ink applied. The image is backwards compared to the photo so that when printed it will be the right way round. I use different paints on the cardboard (mountboard) printing plate to get different textures. The yellow is just some cheap acrylic paint with lots of brush marks to create texture! (I use a light colour such as yellow so that I can see it through the inking process to make sure I get ink into every part of the plate.)

I deliberately designed the printing plate to be inked in three different places. The top third to be process blue with lots of extender medium to keep it quite light. The middle to be the hippo in purple ink and the bottom third to be printed in my favourite blue prussian blue. Here's the top part of the printing plate with process blue ink applied in a thin layer avoiding getting any on the hippo head.

 Next I applied the purple ink. I use a scrunched up kitchen cloth to apply the ink (they are cheap and I usually have loads of them) I twisted a corner of the cloth to apply the ink to the smaller places.

Applying the prussian blue to the bottom of the printing plate for the water. I try and be careful to not go over the areas with the other colours and mix the ink too much but I don't mind if a bit of colour runs into another.

Once every part of the printing plate is covered in ink I very carefully blot the plate with newspaper so as not to move the ink around too much and mix the colours.

I carry on wiping with newspaper and tissue paper until there is only a fine layer of ink left on the printing plate. Here's the plate below all wiped and ready to go through the printing press.

  The hippo print hot off my etching printing press!

A whole herd of hippos drying!

Finally, the finished collagraph print!

Hippo Swim Collagraph Print

 Here's the hippo print framed and on exhibition recently at Wolverhampton Art Gallery.

A very rare photo of me printing and getting very messy on my dining room table in my very, very inky printing hoody!

Clare xx